Written Response from Festival41

a) my forest without echoes is an hour-long durational piece in which Moa Johansson has full agency. Her face covered in hair, she blindly reaches for metal bars and dry twigs to create an artificial forest. And while durational pieces tend to follow one consistent rhythm, Johansson’s movements cannot be expected: one minute she is spending three minutes to break a twig, the next she suddenly unravels many yards of brown paper with erupting energy, showing a wide range of different dynamics. Her movements and stillness are marked with her occasional “woo” sounds as she yells out into her imaginary forest. Marking her body with her materials, she ends up in an entangled nest, uncomfortable and uninviting. She lays there, creating a final image that stays with you long after her piece is over. – Franciska Ery

b) I originally only intended to stay in Moa Johansson’s hour long durational performance for ten minutes. I emerged from the main space an hour later. Covered in sheets of paper with architectural diagrams on, Johansson scraped herself along the wall causing them to steadily fall, unveiling her naked body underneath. She manoeuvred metal poles, dropping them into place with a sharp, echoing bang, and marking herself with charcoal where the ends of the metal cylinders had pressed into her flesh. Breaking the sticks of her forest with her body, she encased herself in them, creating a nest-like structure as she and the forest became inseparable. The echoes faded and silence fell. – Hattie Long

 photography: Sojourner Hazelwood-Connell

photography: Sojourner Hazelwood-Connell

Read more responses from the other performances here: http://www.blogs.sed.qmul.ac.uk/2016/07/08/19-reviews-festival-41/